Kris Davis Releases ‘Duopoly’ on September 30th

duopoly

Pianist Kris Davis Releases Duopoly
A Set of Inspired, Intimate Duos with 8 Seasoned Collaborators,
Out September 30th

Album features originals, covers and free pieces in an inventive palindromic sequence
CD/DVD includes FULL FILM of Entire Album — Davis in duets with

BILL FRISELL, TIM BERNE, DON BYRON, CRAIG TABORN, JULIAN LAGE,MARCUS GILMORE, BILLY DRUMMOND, ANGELICA SANCHEZ
— artists with whom Davis had never before recorded
Pianist, composer and bandleader Kris Davis, just named one of Downbeat magazine’s “25 for the Future,” has made outstanding music in trio, quartet and quintet formats; her most recent output ranges from solo piano (Massive Threads) to an octet with four bass clarinets (Save Your Breath). The next logical step seemed to be duo. After brainstorming with producer David Breskin, Davis was ready to make Duopoly, a series of duos with eight colleagues, all highly regarded and accomplished improvisers. Each duo would play two pieces, one composed and the other free, 16 tracks in all.

“We decided to limit the instrumental palette of the guests,” writes Davis in her booklet text, and so she chose guitarists Bill Frisell and Julian Lage, pianists Craig Taborn and Angelica Sanchez, drummers Billy Drummond and Marcus Gilmore, and reed players Tim Berne and Don Byron. It was only later that the album’s two-part structure emerged, and within that structure, “a symmetrical, palindromic sequence,” Davis writes, “with what [Breskin] calls a ‘mobius twist’ in the middle.” In other words, the players rotate once through and then again in reverse order, with Frisell starting and finishing. The midway shift from structured writing to free improv feels entirely fluid and continuous.

“Additionally,” writes Davis, “the tracks are paired by instrument, for cohesive focus and the suggestive hint (or illusion) of a ‘phantom duo’ between each of the guitarists, pianists, drummers, and horn players.”

The DVD portion of Duopoly brings the music even more vividly to life: “We also chose to make a visual record … which we hoped would be as live and uncompromising as the music. Shot by Mimi Chakarova with one fixed camera and one handheld, the goal was for this film to have a kind of 1:1 or indexical relationship to the music itself.”

With Davis at the center of it all, her pianism a marvel of dynamic control, harmonic mystery and sonic invention, Duopoly opens with the richly contrasting sounds of Frisell and Lage: first ethereal Telecaster-plus-effects on “Prairie Days,” then the pure, warm timbre of Lage’s 1939 Martin acoustic on “Surf Curl.” The duos with Taborn and Sanchez bring out yet more facets in Davis’s playing: “Two pianos is a unique experience,” she remarks. “I can lose myself in the sound. Angie and Craig are such great listeners, and it was an especially freeing and spiritual experience for me.”

The drummers, too, are a study in contrast, hailing from different generations: Drummond the veteran, Gilmore the rapidly rising newcomer, both with complementary approaches to sound and pulse and a remarkable gift for listening. Byrne and Byron, on their respective free improvisations, create one of the album’s most captivating transitions — from legato, middle-register clarinet to wrenching, extreme extended techniques on alto saxophone.

There are five Davis originals as well as two standards, in keeping with Davis’s approach on her solo piano discs: the Hakim/Sulieman/Monk classic “Eronel” features Drummond while Ellington’s “Prelude to a Kiss” features Byron in a gorgeously oblique clarinet rendering. There is one piece by Sanchez, “Beneath the Leaves,” a satisfying contrast with Davis’s vehicle for Taborn, “Fox Fire.” Davis’s original piece for Berne, “Trip Dance for Tim,” takes inspiration from the title of a great Berne composition, “Hard Cell (for Tom).”

The free pieces still convey a structural logic, as Davis remarks in the notes: “In some cases, the free playing sounds more ‘composed’ than the tunes do.” Some are first takes; other pieces needed more thinking through: “There was reconfiguration, experimentation, exploration: these were searching dialogues. This album captures the rawness, intimacy, and immediacy of that process.”

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Hailed by Jason Moran as “a freethinking, gifted pianist on the scene” who “lives in each note that she plays,” Kris Davis has made her mark in the course of nearly two decades as an improviser, composer, bandleader and sought-after sideperson. She received the  Doris Duke Impact Award in 2015, and is a grantee of the Salt Lake City-based Shifting Foundation. Her richly varied recordings have met with acclaim, including the 2003 quartet debut Lifespan and the follow-ups The Slightest Shift and Rye Eclipse; the trio efforts Good Citizen and Waiting for You to Grow; the solo piano sets Aeriol Piano and Massive Threads; the quintet album Capricorn Climber; and the octet disc Save Your Breath. In addition, Davis works with saxophonist Ingrid Laubrock and drummer Tyshawn Sorey in the cooperative trio Paradoxical Frog, and is a member of Michael Formanek’s Ensemble Kolossus as well as well as Eric Revis’s trio with the Andrew Cyrille on drums (City of Asylum and Crowded Solitudes). Davis also wrote the arrangements on saxophonist Tony Malaby’s highly regarded 2011 nonet release Novela. With the Duopoly album she marks the launch of her own Pyroclastic Records label. Her new quartet, which is currently focusing on performances of John Zorn’s Bagatelles, features Tyshawn Sorey, guitarist Mary Halvorson and bassist Drew Gress.

DUOPOLY IS OUT SEPTEMBER 30TH
UPCOMING TOUR DATES
KRIS DAVIS SOLO PIANO
July 30 – Newport Jazz Festival – Newport, RI
KRIS DAVIS W/ JOHN ZORN’S BAGATELLES
August 14 – Village Vanguard – New York, NY
KRIS DAVIS TRIO
Kris Davis – piano, John Hebert – bass, Tom Rainey – drums
September 18 – Monterey Jazz Festival – Monterey, CA
KRIS DAVIS & CRAIG TABORN DUO
Kris Davis & Craig Taborn – pianos
September 30 – Firehouse 12 – New Haven, CT
October 1 – Music Center at Washington University – St. Louis, MO
October 2 – Roulette – Brooklyn, NY
October 3 – Kennedy Center – Washington DC
October 5 – Constellation – Chicago, IL
October 6 – Britton Recital Hall – Ann Arbor, MI
October 7 – Wexner Center – Columbus, OH
October 8 – Zipper Hall presented by Angel City Jazz Festival – Los Angeles, CA
October 9 – Mills College – Oakland, CA
October 10 – UC San Diego – San Diego, CA
October 11 – Poncho Concert Hall presented by Earshot Jazz Festival – Seattle, WA
October 13 – Bucknell University – Lewisburg, PA

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