Fully Altered Media » 482 Music

Fully Altered Media – 2010: The Year In Review

maribel — Mon, 22 Nov 2010 21:01:34 +0000

Dear Friends & Colleagues:

We realize we’re a little late to the punch, but if you haven’t already put the finishing touches on your 2010 year-end lists for jazz or other eclectic non-mainstream music, please consider the wonderful projects we’ve worked on in one way or another this past year.   I would like to acknowledge all of you in the media and the industry for helping us make 2010 another successful year for Fully Altered Media. And of course we couldn’t do it without our amazing clients, listed below.   I would also like to especially acknowledge former staffer Stephen Buono, all-around utility man Nick Venti and my new assistant Maribel Gil, who recently joined the Fully Altered team part-time, as well as day-to-day helpers Russ Flynn, Andy McGhie and Will Martina.

If you haven’t yet finished your year-end Top 10 or Top 20 or Top 50 lists, please consider the albums below. I hope that my eclecticism and open ears will continue to show through in the music we send your way.

To a Healthy & Productive 2011 and Beyond,
Matt Merewitz & Maribel Gil

Here are all the records we worked in 2010 for your consideration (in chronological order by release date):

Dave Rempis
& Frank Rosaly
Cyrillic
(482 Music)

Colorist
A Square White Lie
(482 Music)

Sam Sadigursky
The Words Project
III: Miniatures
(New Amsterdam)

Steve Colson Trio
The Untarnished
Dream
(Silver Sphinx)

Thomas Savy
French Suite
(Plus Loin)

Dan Weiss Trio
Timshel
(Sunnyside)

Allison Miller
BOOM TIC BOOM
(Foxhaven)

Nels Cline Singers
Initiate
(Cryptogramophone)

Adam Rudolph
& Ralph Jones
Yeyi
(Meta)

Adam Rudolph
& Yusef Lateef
Towards the
Unknown
(Meta)

Mike Reed’s
People, Places
& Things
Stories &
Negotiations
(482 Music)

Jacky Terrason
Push
(Concord)

The Claudia
Quintet
Royal Toast
(Cuneiform)

Pete Robbins
sILENT Z – Live
(Hate Laugh Music)

Ideal Bread
Transmit: Vol. 2 of
the Music of
Steve Lacy
(Cuneiform)

David Weiss &
Point of Departure
Snuck in
(Sunnyside)

Rafi Malkiel
Water
(Tzadik)

Barry Harris
Live in Rennes
(Plus Loin)

Billy Bang
Prayer for Peace
(TUM)

Vijay Iyer
Solo
(ACT)

Blue Cranes
Observatories
(Self-released)

Eddie Gomez
& Cesarius Alvim
Forever
(Plus Loin)

Rudresh
Mahanthappa
& Bunky Green
Apex
(Pi)

Kellylee Evans
Nina
(Plus Loin)

Nels Cline
DIRTY BABY
(Cryptogramophone)

Mike Reed’s Loose
Assembly Featuring
Roscoe Mitchell
Empathetic Parts
(482 Music)

Scott Amendola Trio
Lift
(Sazi)

Dan Tepfer
Five Pedals Deep
(Sunnyside)

The Dymaxion
Quartet
Sympathetic
Vibrations
(Self-released)

Jason Stein’s
Locksmith Isidore
Three Kinds of
Happiness
(Not Two)

Jerome Sabbagh
I Will Follow You
(Bee Jazz)

Look for some excellent new projects for January and beyond from:

•   Trumpeter Taylor Haskins to release new album Recombination on Nineteen-Eight Records in February 2011
•   Debut album, Steampunk Serenade by Honey Ear Trio Featuring Erik Lawrence, Rene Hart & Allison Miller to be released in March 2011
•   & much much more

For more information, contact Matt Merewitz at Fully Altered Media/
matt@fullyaltered.com / 215-629-6155

Quick Hits

Matt — Sat, 01 May 2010 15:29:59 +0000

Mark Stryker reviewed Adam Rudolph’s two new discs on his own Meta Records imprint in the Detroit Free Press.

NPR Music streamed The Nels Cline Singers new Cryptogramophone 2-CD release Initiate in its entirety for their First Listen series (audio no longer available as release date has passed). And we have a Tiny Desk Concert with the Singers planned for July.

NPR Music will also stream the new Claudia Quintet CD on Cuneiform, Royal Toast, in it’s entirety from May 10-18 (link coming soon).

Nate Chinen enthusiastically reviewed Jacky Terrasson’s first trio album in a dozen years, Push (Concord Jazz), in last Monday’s New York Times’ Critics Choice: New CDs.

Ben Ratliff reviews the latest Mike Reed’s People, Places & Things record Stories and Negotiations (482 Music) in the Sunday New York Times Arts & Leisure Playlist.

And we’ve been on a roll with All Music Guide – reviewing Adam Rudolph & Yusef Lateef’s, Towards the Unknown, The Nels Cline Singers‘ Initiate, The Claudia Quintet’s forthcoming release, Royal Toast, Jacky Terrasson’s Push, Allison Miller’s BOOM TIC BOOM, Steve Colson Trio’s The Untarnished Dream, Thomas Savy’s French Suite and Sam Sadigursky’s Words Project III: Miniatures. Kudos to Thom Jurek and Michael G. Nastos for all those reviews.

I’m sure I’m forgetting a few other noteworthy things, but I wanted to keep this short and sweet. See the client pages for more placements.

Drummer Mike Reed Completes People, Places & Things Trilogy With “Stories & Negotiations” (482 Music) Feat. Jeb Bishop, Art Hoyle, Julian Priester, Ira Sullivan

Matt — Tue, 20 Apr 2010 06:40:02 +0000

Mike Reed’s People, Places & Things Latest Recording, Stories and Negotiations,
featuring Art Hoyle, Julian Priester & Ira Sullivan

Stories & Negotiations is Third Installment
In A Trilogy of Recordings Devoted to the Remarkable Period of 1954-1960 Chicago Jazz,
And Its Relation to Chicago Jazz Today

Release Date: April 20, 2010
Catalog #482-1070

Recorded live in Chicago’s Millennium Park in Summer 2008, Stories and Negotiations is the latest vibrant installment in drummer/composer Mike Reed’s People, Places and Things project. Commissioned by The Jazz Institute of Chicago’s Made in Chicago series, it completes a trilogy of recordings devoted to a remarkable – but often overlooked – era in Chicago music: the years between 1954 and 1960, when the jam-session culture of the city’s hard bop scene began to seed the collective avant-garde of the Association for the Advancement of Creative Musicians (AACM) and everything that followed.

Reed convened his working quartet, which features saxophonist Greg Ward, tenor saxophonist Tim Haldeman and bassist Jason Roebke, and invited frequent guest trombonist Jeb Bishop back to the bandstand. But for this album, he also solicited the horns of three jazz masters whose playing and personalities defined the late ‘50s in Chicago: trumpeter Art Hoyle, trombonist Julian Priester and saxophonist Ira Sullivan. The ensemble engages a set of vintage tunes – including Priester’s “Urnack,” John Jenkins’ “Song of a Star,” Clifford Jordan’s “Lost and Found,” Wilbur Campbell’s “Wilbur’s Tune,” and Sun Ra’s “El is a Sound of Joy” – in new arrangements, as well as original pieces composed by Reed and Ward and dedicated to each of their honored guests.

“Priester probably has the largest accomplishments as a sideman, he’s on a zillion records,” Reed says of the 74-year-old trombonist, who was (along with trumpet and flugelhorn player Hoyle) part of Sun Ra’s Chicago-based big bands of the mid-to-late 1950s, and has played with everyone from Duke Ellington to Sunn O))). Back in the day, now 78-year-old tenor saxophonist Sullivan “was maybe the biggest name, recording dates in 1956-57 as a leader, being asked to be in the Jazz Messengers, being asked to do things with Miles and turning it down. He’s incredibly important.” Hoyle, who is in his mid-70s, took an opposite track. “He was in the Sun Ra band, the Lionel Hampton band, but by the mid-‘60s he said, ‘I’m gonna stay in Chicago and be a studio musician, a working club musician.’ He was one of the musicians who broke the color barrier for the CBS Orchestra.”

Shaped by Reed’s powerfully organic concept for the band, the concert versions of older material are instantly distinct from their original iterations. “We were trying to really figure out how to bring some modern edges to this old music,” the drummer says. “Obviously, the idea of there being some kind of chordal instrument or harmony is out, so we’ve jumped from 1956 to 1966. There’s more of an Ornette-ish influence. Structure-wise, some of the music is rewritten. Not so much on the octet stuff, where we’re faithful to the material but definitely not in form. We’d move things around because we’d want the arrangements to work in a different way: maybe there’s a more dramatic build up, or we’d get away from the 32-bar form. We recreated forms, completely adding something that is not a piece of the tune at all.”

A man for all seasons, Reed is an important player in Chicago’s eclectic, genre-blurring music scene. He also leads the improvising quintet Loose Assembly and has recorded a series of experimental duets with several of other luminaries such as Nicole Mitchell and Jim Baker. As an organizer and promoter, his marquee gig is booking the annual Pitchfork Music Festival, the most open-eared indie-rock conclave in the United States.

With that kind of attitude, Stories and Negotiations could never be conceived as some predictable old tribute record. Reed composed the originals not with the idea of emulating hard bop, because he’s not that kind of a writer. Instead, he notes, there might be “a nebulous building into time, and some points where there’s not a meter that happens until someone wants to bring in the beginning of the tune. It was fresh for us, and a challenge for those guys to deal with something a little bit different.”

Even though the generations span a half-century of Chicago jazz, the chemistry is abundantly evident. As jazz writer Larry Kart observes in his liner notes, listeners can hear this displayed in endless facets. Among them, he cites “Hoyle’s story-telling taste for oblique quotation (a sequin from the dress of ‘Satin Doll’ on his ‘Third Option’ solo, fragments from ‘Moody’s Mood for Love’ and ‘Joshua Fit the Battle of Jericho’ on ‘Door #1,’ ‘Little Rootie Tootie’ on ‘Lost and Found’)…the orchestral contrast between Bishop’s earthy-burry tone and his forging-ever-onward lines and Priester’s otherworldly airiness of timbre and his pensive agility. Sullivan’s deep, warm swing probably goes without saying, but listen to the commitment he brings to his ensemble work on ‘Song of a Star’ (when he, Hoyle, and Priester sweep in beneath Bishop, Ward, and Haldeman) and ‘El is a Sound of Joy.’”

“The main connection that unifies the players is the sense of vitality in the music,” Reed says, pulling all the elements into a perspective that serves him well as the current Vice-Chair of the AACM. “The hard bop sound of the ‘50s time period was as cutting edge as anything that we’re working on today. Trying to reach that sense of edgy performance is what brings everyone together. Stylistic ideas and background may differ, but the common search for creativity is common.”

RELEASE DATE: April 20, 2010

LINKS:

Mike Reed’s Website

Mike Reed Artist Page at 482Music.com

NPR Reviews Last People, Places & Things Album, “About Us”

Videos of Mike Reed’s People, Places & Things

482 Music Website

482 Music on Twitter

For more information contact:

Matt Merewitz
215-629-6155
matt@fullyaltered.com

Mike Lintner
482 Music
MikeL@482music.com

Minimalist Electronic Duo Colorlist Release 3rd Album A Square White Lie (482 Music) On 180-Gram Vinyl & MP3

Matt — Tue, 20 Apr 2010 04:53:40 +0000

Release Date: January 12, 2010

Versatile musicians Charles Rumback and Charles Gorzcynski may hail from Chicago, poet Carl Sandburg’s “stormy, husky, brawling, city of the Big Shoulders,” but they abide creatively in a far more fluid habitat: the ocean of sound. Rumback (drums, marimba, guitars) and Gorzcynski (saxophones, harmonium, synthesizers) are friends in their late 20s who are busy inventing yet another new wave of sonic adventure in a city long-steeped in both musical innovation and bedrock traditions of blues and jazz, rhythm-and-blues and the avant-garde.

The duo’s latest recording, A Square White Lie (482 Music), is a kaleidoscopic flux of sounds that pools all kinds of ideas and influences into an organic wash, one that is often transcendental and meditative, occasionally blissed out, and, once in a while, a bit fevered — like a gorgeous sunset whose hues shift and overlap in suspended time as the sun melts from the sky. It’s a record that slips easily into a playlist that might include one of Teo Macero’s cut-and-splice electric sessions with Miles Davis, Brian Eno’s Music for Airports, Pharoah Sanders’s cosmic explorations, Aphex Twin or Colorlist’s post-rock neighbors Tortoise, Isotope 217, Town and Country, or the Sea and Cake. The five instrumentals are completely improvised, recorded live over two straight days, directly onto tape for the warm, analog sound of 482’s 180-gram vinyl release.

As Rumback explains, the concept was to do something entirely different from their debut, which bloomed out of collaborative associations with such local players as Matt Lux (Isotope 217, Iron and Wine), Josh Eustis (Telefon Tel Aviv), Ellen O’Hayer (Bright Eyes), Jason Ajemian (Chicago Underground Trio) and Jason Stein (Locksmith Isidore) — as well as remixers like Prefuse 73 bassist Josh Abrams, all-star cellist Fred Lonberg-Holm and Gamial Trio.

“Our first album started off as a drums and saxophone duo thing, and we quickly had all these other ideas and free studio time and engineers, friends coming and playing, and it became layers of music,” he says. “It was really cool. But after that whole process we felt like we didn’t have a record of what we sound like live. We wanted this one to be straight up both of us, doing it live with no layers.”

After recording, the musicians went back and edited the tapes, pulling out their favorite sequences and organizing the material into cohesive pieces, ranging from 4 to 19 minutes, each evoking distinct elements of modal jazz, ambient music and minimalism that bubble up naturally in the performance. “When we’re free-improvising, there’s all these different waves that I come through,” Rumback says. “When Charles and I are playing night after night, first it’s really easy and then it’s really hard, because you feel like you’ve said a lot already and you don’t want to repeat yourself.”

Giving credit to producer Josh Eustis, Rumback takes a moment to emphazie the duo’s priorities. “We are just as much concerned with texture and space of the recording as we are with any of the musical elements such as rhythm, melody or harmony,” he says. “I think Josh deserves special mention because of his beautifully skilled approach to that side of the process.”

The tracks range from the gentle, slowly lapping sustained notes of “Monochrome” to the subcontinental feel of “Constant Change,” with its harmonium-and-hand-percussion dualities and airs of Buddhist mountaintop calm. “Time Words” offers a questing, somewhat unsettled mood, in which the drift is challenged by rumbling drums and given benediction by a graceful, delicate saxophone solo. “A Square White Lie,” the album’s centerpiece, moves gradually from the beatific to the cataclysmic, before evaporating into an echo of be-bop drums.

“I’ve been interested in old Terry Riley recordings for years,” says Gorzcynski, nodding toward the composer of such modern classics as “In C” and “A Rainbow in Curved Air”. “Especially the “all night flight” records with the Phantom Band, where he used saxophones and keys in cascading tape loops. His sense of improvisation (and it absolutely was) was inspiring because he was improvising the full sonic space of the event, as well as responding to previous instances of his own playing rather than the instantaneous responses of group improvisation. It creates a longer process, very transparent because it happens slowly, but really engaging for me because every change needs to be so very deliberate, everything added happens over and over.” Colorlist’s improvised pieces being with small intervals so that anything new changes the harmony, but in a way that “sounds like a new shade of what was already happening. Those shades change again with more layering. Steve Reich did the same thing but in a very controlled and predetermined way. Our take is more spontaneous but based on the same principles.”

The duo’s natural chemistry has its roots in an unlikely place. “We met randomly at a call center we were working at,” Rumback recalls. “It was a telephone interviewing service for lots of different companies. We might be interviewing someone to be a garage door repairman or someone to work at PetSmart. It was a pretty terrible job.” The two Charleses did not immediately form a band. Instead, they swapped records, sharing mutual enthusiasms and soaking up each other’s tastes in minimalism, free-jazz, noise, hip-hop … you name it. “We started playing these drum and sax duets and eventually it evolved into Colorlist.”

As his partner concludes, they have highly compatible synapses that make for plenty of spontaneous verve on the bandstand, in the moment. “He pushes me towards unexpected split second decisions,” Gorzcynski says, “so he becomes just as responsible for the harmony as I am. It’s like the motion and harmony is coming from some intuitive connection in the moment that I can’t really put my finger on, every time we play it’s like this, and it’s why I love playing this music.”

For more information, please contact
Matt Merewitz at Fully Altered Media
matt@fullyaltered.com
347-527-2527 (office)

Winter/Spring 2010 Release Schedule

Matt — Sun, 17 Jan 2010 07:28:23 +0000

JANUARY

January 12
Dave Rempis & Frank Rosaly – Cyrillic (482 Music)
(saxophone & drums duo)

January 19
Colorlist – A Square White Lie (482 Music)
(Chicago minimalist electronic duo; 180-gram vinyl or download only – no CDs)

January 26
Greg Burk Quartet – Many Worlds (482 Music)
(new recording from 482 Music stalwart; American pianist based in Italy)

Sam Sadigursky – The Words Project III: Miniatures (New Amsterdam Records)
(poetry by Emily Dickinson, William Carlos Williams, Carl Sandburg, Léon de Greiff, Maxim Gorky, Fernando Pessoa + ensemble featuring vocalists Michael Leonhart, Heather Masse, Christine Correa, Jamie Leonhart, Monika Heidemann, Sunny Kim, Sadigursky + more)

FEBRUARY

February 02
Steve Colson Trio – The Untarnished Dream (Silver Sphinx Records)
(featuring Reggie Workman, Andrew Cyrille, Iqua Colson)

MARCH

March 19
Thomas Savy – French Suite (Plus Loin Music)
(bass clarinet-led trio recording featuring Scott Colley & Bill Stewart)

March 26
Allison Miller – BOOM TIC BOOM (Foxhaven Records)
(featuring Myra Melford, Todd Sickafoose + special guest Jenny Scheinman)

APRIL

April 13
Nels Cline Singers – Initiate (Cryptogramophone Records)
(Disc 1: Studio; Disc 2: Live; featuring Scott Amendola, Devin Hoff + special guests David Witham, Yuka Honda, Greg Saunier (Deerhoof), Satomi Matsuzaki, John Dieterich; engineered by Ron Saint Germain)

April 27
Mike Reed’s People, Places & Things – Stories and Negotiations (482 Music)
(3rd installment of trilogy of recordings devoted to the remarkable, but often overlooked period of 1954-1960 in Chicago jazz; featuring Greg Ward, Tim Haldeman, Jason Roebke)

MAY

May 04
Jason Ajemian’s Daydream Full Lifestyles – Protest Heaven (482 Music)
(featuring Tony Malaby, Rob Mazurek, Jeff Parker, Chad Taylor)

Other Upcoming Projects

- several recordings on the Finnish label TUM Records including Juhani Aaltonen, Kalle Kalima & K-18, Billy Bang Quintet, FAB Trio, Andrew Cyrille’s Hatian Fascination + many more (March-June)

- a new recording by drummer/composer Scott Amendola (one featuring guitarist Jeff Parker) to be released on his own label (April/May)

- a live recording by alto saxophonist Pete Robbins’ sILENT Z on his new label Hate Laugh Music (May)

- a new recording by the trumpeter/composer/arranger/bandleader David Weiss’s Point of Departure Quintet (featuring JD Allen, Nir Felder, Luques Curtis, Jamire Williams) to be released on Sunnyside Records

- an electro-jazz record by trumpeter Taylor Haskins’ Recombination (featuring Henry Hey, Ben Monder, Todd Sickafoose & Nate Smith) to be released on Nineteen-Eight Records (Summer or Fall 2010)

Tyshawn Sorey Announces Fall Tour Dates

Matt — Wed, 30 Sep 2009 03:53:19 +0000

October 16th, Jazz Gallery {New York, NY} 9 and 10:30
FOR KATHY CHANGE (in two parts)
Ben Gerstein (trombone) Terrence McManus (classical guitar) Okkyung Lee (cello) Tyshawn Sorey (piano, drums, composition)

November 6 & 7, Earshot Festival {Seattle, WA}
SOREY-DAVIS-LAUBROCK (a collaborative project)
Tyshawn Sorey (drums, compositions) Kris Davis (piano, compositions) Ingrid Laubrock (tenor saxophone, compositions)

November 13, Community Church of New York {New York, NY} 8 p.m.
Aaron Stewart (woodwinds) Taylor Ho Bynum (cornet) John Escreet (piano) Tyshawn Sorey (drums, composition)

November 19, University of Massachusetts at Amherst – Bowker Auditorium {Amherst, MA} 8 p.m.
SOLO CONCERT
Tyshawn Sorey (piano, drums, trombone)

Fully Altered Media Client Release Schedule Summer & Fall 2009

Matt — Mon, 27 Jul 2009 03:48:18 +0000

August

Ben Perowsky Quartet – Esopus Opus (Skirl) – August 11
w/ Perowsky (drums), Chris Speed (tenor sax, clarinet), Drew Gress (bass), Ted Reichman (accordion, keyboards)

The Waitiki 7 – Adventures in Paradise (Pass Out Records) – August 18
w/ Zaccai Curtis (piano), Tim Mayer (saxes, flutes), Randy Wong (bass), Lopaka Colón (birdcalls, percussion), Jim Benoit (vibes), Helen Liu (violin), Abe Lagrimas, Jr. (drums, vibes, percussion) + special guest Mike Dease (trombone)

Stefon Harris & Blackout – Urbanus (Concord Jazz) – August 25
w/ Harris (vibraphone, marimba), Marc Cary (keyboards, piano, effects), Ben Willams (bass), Casey Benjamin (alto sax, vocoder), Terreon Gully (drums)

Rez Abbasi – Things to Come (Sunnyside) – August 25
w/ Rudresh Mahanthappa (alto sax), Vijay Iyer (piano), Dan Weiss (drums), Johannes Weidenmuller (bass) + Kiran Ahluwalia (Hindustani vocals), Mike Block (cello)

September

James Weidman – Three Worlds (Inner Circle Music) – Sept. 15
w/ Marty Ehrlich (alto sax, clarinet), Ray Anderson (trombone), Jay Hoggard (vibraphone), Brad Jones (bass), Francisco Mela (drums)

Benny Reid - Escaping Shadows (Concord Jazz) – Sept. 15
w/ Richard Padrón (guitar), Jeff Taylor (wordless vocals), Ryan Fitch (percussion), Pablo Vergara (piano), Dan Loomis (bass), Kenny Grohowski (drums)

Digital Primitives – Hum, Crackle & Pop (Hopscotch Records) – Sept. 22
w/ Assif Tsahar (tenor sax, percussion), Cooper-Moore (percussion, diddley-bo, voice), Chad Taylor (drums, percussion)

Moodswing Orchestra – Moodswing Orchestra (El Destructo Records/The Royal Potato Family) – Sept. 29
w/ Ben Perowsky (leader, drums bells, percussion, voice), Glenn Patscha (keyboards, pianos, voice), Markus Miller (turntables, electronics); Special Guests: Oren Bloedow (bass, voice) and Jennifer Charles (voice) of Elysian Fields, Marcus Rojas (tuba, voice), Doug Wieselman (reeds), Steven Bernstein (trumpet), Pamela Kurstin (theremin), Miho Hatori (voice) of Cibo Matto, Elyas Khan (voice), Joan Wasser (voice) of Joan As Policewoman, Bebel Gilberto (voice)

Ahleuchatistas – Of The Body Prone (Tzadik) – Sept. 29
Power Trio w/ Shane Perlowin (guitar), Derek Poteat (bass), Ryan Oslance (drums)

Tyshawn Sorey – Koan (482 Music) – Sept. 29
Trio w/ Thomas Morgan (bass, guitar); Todd Neufeld (guitar)

October

Jon Irabagon – The Observer (Concord Jazz) – Oct. 6
w/ Kenny Barron (piano), Rufus Reid (bass), Victor Lewis (drums) + special guests Nicholas Payton (trumpet), Bertha Hope (piano)

Linda Oh – Entry (self-released) – Oct. 6
Trio w/ Oh (bass), Ambrose Akinmusire (trumpet), Obed Calvaire (drums)

Jason Stein’s Locksmith Isidore – Three Less Than Between (Clean Feed) – October 6
Trio w/ Jason Stein (bass clarinet), Jason Roebke (bass), Mike Pride (drums)

Jason Stein – In Exchange for A Process (Leo Records) – October 6
solo bass clarinet

Vijay Iyer Trio – Historicity (ACT Music) - October 13
Trio w/ Marcus Gilmore (drums) and Stephan Crump (bass)

Ben Allison - Think Free (Palmetto) – October 13
Quintet w/ Jenny Scheinman, Shane Endsley, Steve Cardenas and Rudy Royston

Chad Taylor - Circle Down (482 Music) – October 20
Trio w/ Angelica Sanchez and Chris Lightcap

Mike Reed’s People, Places & Things – About Us (482 Music) – October 27
Quintet w/ Tim Haldeman (t. sax, perc., piano), Mike Reed (drums, piano), Jason Roebke (bass, perc., piano), Greg Ward (alto sax, perc., piano) – 2nd part of a trilogy

To request any of these recordings, please contact Matt Merewitz (matt@fullyaltered.com) or Stephen Buono (stephen@fullyaltered.com) or call 215-629-6155.