Posts Tagged ‘Dan Weiss’

Flushing Town Hall Presents Rudresh Mahanthappa’s Indo-Pak Coalition With Rez Abbasi & Dan Weiss

Thursday, December 1st, 2011

Saturday, December 3rd 2011, 8PM

(from left to right: Rez Abbasi, Rudresh Mahanthappa, Dan Weiss)
Photo credit: Jordan Hemingway

The Indo-Pak Coalition, led by critically-acclaimed Indian-American saxophonist and Guggenheim fellow Rudresh Mahanthappa, with Pakistani-American guitar virtuoso Rez Abbasi and rising tabla star Dan Weiss, synthesizes jazz with the astutely improvised musical forms of South Asia, transcending any preconception of Indo-jazz fusion. This ambitious trio will be appearing on December 3rd at the Flushing Town Hall.

Their groundbreaking debut album, Apti (Innova, 2008), reached #1 on the JazzWeek World Music radio charts and enjoyed long stints in the top ten of the JazzWeek Jazz, CMJ Jazz, and ChartAttackradio charts. Rolling Stone, the New York Times, and Downbeat among others have raved about both the ensemble and the album.

Apti clearly blazes new trails into the future of jazz in the 21st Century. While most attempts to engage jazz and South Asian music often feel incoherent, with musicians from neither side able to comfortably bridge the musical divide, the music on Apti transcends any previous notion of ‘Indo-Jazz fusion’. In melding Indian concepts of melody and rhythm with his inventive style as a jazz composer and improviser, Mahanthappa has masterfully provided a compositional context that has brought out spectacular interplay within the ensemble. Apti is a major achievement in cross-cultural musical creativity and a landmark contribution to modern music that bears no precedent.

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“In this stark, dynamic trio of alto sax, guitar and tabla, Mahanthappa’s horn does heavy lifting, fusing the raga-sitar aspirations of late-period Coltrane and the vocal flight of Karnatic hymns.” -Rolling Stone

“At various points, the Indo-Pak Coalition sounds like an Asian answer to Steely Dan, while at others Mahanthappa’s compositions coil and uncoil, building and revealing drama not unlike soundtrack music. Of course, this is all part of the hybridity that Mahanthappa is going for, and his hunger for new sounds is no-doubt fueling his growing reputation as one of jazz’s leading lights.” -New York Press

“With [Apti], alto saxophonist Rudresh Mahant-happa approaches the cross-pollination of Indian music and jazz from yet another angle…Mahanthappa’s vision succeeds again.” -JazzTimes

“Mahanthappa is heralding a new reality in jazz, where the music exists on equal footing with another hearty tradition, and something genuinely new results.” -Downbeat

“[Rudresh Mahanthappa's "Indo-Pak Coalition"] featuring Rez Abbasi on guitar/sitar and Dan Weiss on tablas, is less about texture and more about the individual players and the interaction of their individual lines. The Indo-Pak Coalition is ready and able to pull from every area of jazz, finding it a simple matter to draw from whatever bag gives the music a good ride.” -PopMatters

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Rudresh Mahanthappa’s Indo-Pak Coalition

Rudresh Mahanthappa – Alto saxophone
Rez Abbasi – Guitar / Sitar-guitar
Dan Weiss – Tabla

Flushing Town Hall
137-35 Northern Blvd.
Flushing, NY 11354

Saturday, December 3rd, 2011 at 8PM

30% Off!

To receive this offer, mention the code “EB2011″

(excluding table package)

Admission: $25/$2o Members/$10 Students
Package Price: $85/$75 Members (Table Seating for 2, Wine and Snacks)
Saturday, December 3rd, 2011 at 8PM

Buy tickets now!

(718) 463-7700 x222


Links:

Drummer, Tabla Player & Composer Dan Weiss Releases Sunnyside Debut, “Timshel” on March 16th, 2010

Thursday, February 11th, 2010

Timshel

In-Demand New York Drummer for Dave Binney, Rudresh Mahanthappa’s Indo-Pak Coalition, Vijay Iyer & Many Others

One of Five Drummers to Watch (and Hear)
According to NY Times Critic Ben Ratliff
Release Date: March 16, 2010

Album Features: Jacob Sacks & Thomas Morgan (+ Jack Lemmon cameo)

Timshel’, meaning ‘Thou Mayest,’ is a Hebrew word which challenges the traditional biblical phrase, ‘Thou Shalt.’ I came across this word as I read John Steinbeck’s East of Eden, and the idea behind the word was very inspiring to me. ‘Thou Mayest’ characterizes man as the maker of his own fate. We are all free to choose our own destiny. This gives us the innate power to create and to be creative.” – Dan Weiss, from the liner notes

The best drummers, like Art Blakey, Max Roach and Billy Higgins, don’t lead by propulsive pyrotechnics; rather, they lead by inspiring their fellow musicians to the heights of their musical plateaus. The endlessly inventive New York-born drummer, tabla player, and composer Dan Weiss, a seasoned veteran of the Manhattan jazz scene, as evidenced by his sterling sideman work with everybody from Lee Konitz, David Binney and Vijay Iyer, to Miguel Zenon, Uri Caine and Ben Monder, is such a drummer. Weiss, with the release of his Sunnyside debut, Timshel, signals the end of his anonymity.

Backed by his long-time trio mates, pianist Jacob Sacks and drummer Thomas Morgan, Weiss weaves elements of different compositional styles and knowledge of Indian rhythms into the language of jazz on his twelve-track CD, to create something new and eternal, foreign and familiar. “Each piece in this record draws upon a specific inspiration which has captured my curiosity and imagination the last couple of years,” Weiss writes in the liner notes. “The intention behind this record was to take the essence of each of these inspirations and to create a musical narrative. It is intended to be listened to as one piece, uninterrupted. While each piece is its own song, they each serve a larger purpose which is the suite.”

Weiss and his terrific triad offer a sensitive and sophisticated take on how a twenty-first century trio should sound. Weiss’ expert drumming soothes, swings, and flies, with Sacks’ elegiac pianism and Morgan’s steady and supportive bass lines. “Stephanie” dances with a Latin tinge, contrasted by the dark and lovely lullaby excursions of “Dream,” the title track “Timshel,” the Chopinesque “Frederic,” and the tabla-tantric “Teental Song.” “Florentino and Fermina,” two characters from Gabriel Garcia Marquez’s immortal novel, Love in the Time of Cholera, evolves from a sensuous tone poem to an urgent, 4/4 cadence. Weiss pays tribute to another extra-musical medium: film, with his ingenious “Always Be Closing,” which comes from a line from the film Glenngarry Glen Ross, starring Jack Lemmon, where Weiss’s devilish drum work mimics Lemmon’s dialog. “Dream” is a work that melds all of the CD’s myriad moods and grooves, while “Chakradar #4” and “Interlude” highlight Weiss’s expert adaptations of sub-continental Indian scales and tabla rhythms to jazz.

If it takes a village to raise a child, then it took a world city like New York to create a global musician like Dan Weiss. Born in New Jersey, Weiss started playing the drums at the age of six. Weiss attended Manhattan School of Music and studied drumset with John Riley, composition with David Noon and frame drums with Jamey Haddad. Weiss has studied the tabla for twelve years under the guidance of his guru, Pandit Samir Chatterjee, and has performed classical Indian music with Ramesh Mishra, Mandira Lahiri, Subra Guha, Anoushka Shankar, Anirban Dasgupta, Joyas Biswas, and Steve Gorn. He has also performed in recitals with his teacher in Kolkata, India. His two previous recordings as a leader: Tintal Drumset Solo (Chhandayan, 2005) and Now Yes When (Toap, 2006).

So, from drumkits to tablas, as Timshel aurally illustrates in all of it’s syncopated splendor, that Dan Weiss has got the rhythms covered. “I feel grateful to have been exposed to such beautiful things, and I feel even more grateful for the opportunity to now share these things with you.”

Dan Weiss’ Official Website

Dan Weiss Trio on MySpace

For more information, please contact
Matt Merewitz at Fully Altered Media
matt@fullyaltered.com
347-527-2527 (office)

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