Posts Tagged ‘jazz’

Coming June 17: Trumpeter Darren Barrett Releases Two Albums

Wednesday, June 4th, 2014

Darren Barrett
Energy in Motion: The Music of the Bee Gees (dB Productions)
Out June 17, 2014

 

Darren Barrett & dB Quintet
Live And Direct 2014 (dB Productions)
Out June 17, 2014


Electric and acoustic, live and in studio, jazz and – disco? Trumpet player and composer Darren Barrett showcases his diverse influences and wide-ranging virtuosity on a pair of new releases due out June 17, 2014 on his own dB Studiosimprint.

Live and Direct 2014 showcases Barrett’s bold and driving acoustic dB Quintet charging through a set of original compositions on stage in front of an audibly enthusiastic audience. The Music of the Bee Gees filters the beloved melodies of the Brothers Gibb through the trumpeter’s electric – and electrifying – Energy in Motion ensemble. As diametrically opposed as they may seem, both albums evidence the blistering chops and deft musicality that made Barrett the winner of the 1997 Thelonious Monk International Jazz Trumpet Competition and which he’s passed down to countless students as a professor at his alma mater,Berklee College of Music, for the past decade.

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Multiplicity: A Collaborative Band of Guitarist Joel Harrison & Sarodist Anupam Shobhakar Release Debut Entitled “Leave the Door Open” OUT NOW

Tuesday, March 11th, 2014

Multiplicity: A Collaborative Band of
Guitarist Joel Harrison & Sarodist Anupam Shobhakar Release Genre-Bending Debut Entitled
Leave the Door Open (Whirlwind Records),
Out
March 11,2014

Harrison-PACK
Featuring A Mixture of Harrison & Shobhakar Collaborators,
Dave Binney
(alto saxophone), Gary Versace (piano, Hammond B3 organ, accordion), Hans Glawischnig  (double bass), Dan Weiss (drums, tabla), Todd Isler (percussion), Bonnie Chakraborty and Chandrashekar Vase (vocals)

Watch YouTube Video About Multiplicity

With Leave The Door Open (Whirlwind Recordings), guitarist Joel Harrison teams up with sarod player Anupam Shobhakar and the product is a wholly idiosyncratic synthesis of Indian and American musics and more particularly, the lives and interests of these two musicians.

Harrison and Shobhakar met as a result of a 2010 Guggenheim Fellowship when Harrison set out to compose a piece for classical percussion, jazz quintet, and sarod. Harrison says that he and Shobhakar “spent a lot of time together figuring out how our different backgrounds could blend and cohere. ‘He taught me and I taught him. He’s an incredibly virtuosic, well-educated performer.’ I had had a lifelong interest in sarod, but working with Anupam allowed me to grow exponentially in my understanding of his tradition.”

Rather than have Shobhakar act as a “special guest” in the context of a chamber ensemble of Harrison’s regular peers, the guitarist says that Shobhakar embraced the challenge to step outside the bounds of traditional Indian music – to collaborate wholeheartedly in the spirit of a multiplicity of approaches.  (more…)

FONT PREVIEW WEEK: Q&A with FONT Co-Founder, Director and Co-Curator Dave Douglas

Tuesday, September 3rd, 2013

Festival of New Trumpet Music (FONT) Preview Week

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Dave Douglas

Q&A with Dave Douglas,
Co-Founder & Director of FONT 2013;
Curator of St. Peter’s Church Programming

Denver-Based Trumpeter Hugh Ragin Makes Rare NYC Appearance
Sept. 22 Leading Jazz Vespers at St. Peter’s Church
Featuring Trumpeters Lew Soloff, James Zollar, Nate Wooley

Douglas’ Own Sextet Sept. 23, Featuring Jon Irabagon, Josh Roseman,
Matt Mitchell, Linda Oh, Rudy Royston & Special Guest Vocalist Heather Masse,
Celebrating Release of New Sextet CD, Pathways, Part of DD|50 Box

Check Out Exclusive FONT Interview with 2013 FONT Honoree
Marcus Belgrave, Conducted by Trumpeter Greg Glassman

Q: How did you become a trumpet player? Did you play other instruments before the trumpet?

DD: Even though trumpet was one of my earliest instruments after piano and trombone, I always naturally thought of myself as a musician. It didn’t occur to me that I was a trumpet player until it was way too late, which is one of the reasons for this festival. It’s to celebrate the trumpet as a piece of equipment in the hands of musicians of every variety, to counter the idea of the trumpeter as a music jock, a sort of athlete of the high notes and proponent of the showiest, brassiest sounds regardless of what the music calls for. We celebrate the Music first. Then the Trumpet, then the New. This is a Festival for music and musicians involved in some of the most compelling, expressive, protean, challenging, and fun music around.

Q: Were there recordings in the beginning and even years into learning the instrument that drew you into the trumpet’s sound and possibilities?

DD: When I finally realized and accepted that I was a trumpeter I was drawn to unique sounding players like Miles Davis, Thad Jones, Lester Bowie, Woody Shaw, Herb Robertson, and of course all the other giant spirits of jazz. I also listened to great classical players like Gerard Schwarz and Raymond Mase, more recently Alison Balsam and Hakan Hardenberger. But I am really a sucker for Macedonian and Mexican brass bands. When the trumpet itself makes people dance how can you not smile?

Q: People often talk about how the trumpet is the hardest instrument to play. Do you feel this is true? What doesn’t the general public understand about playing the trumpet that you wish people would realize?

DD: They say the trumpet is the hardest instrument to play. I’m not sure I agree — they are probably all equally hard. But the trumpet is exposed and personal, like the human voice. You have to figure out how to get a part of your body to effortlessly vibrate at extremely high velocities. This is why trumpet sounds range from the most vulnerable to the most brazen and powerful.

Q: If you had to identify with one or two gurus, trumpeters or otherwise, who had the greatest impact on your musical journey to date, whom would they be?

DD: Aside from all those trumpeters I’ve loved, John McNeil, Carmine Caruso, and Laurie Frink have had the biggest impact on my life as a musician-trumpeter. No question, without them I would not be where I am today. We would likely not be doing this festival. I met co-founder Roy Campbell when I first came to New York in 1984 and at that time I was studying with Carmine. Roy and I heard each other a lot around that time. In starting this festival we both had the same sense that a booster organization for creative trumpeter/composers was an essential job that needed to be done.

Q: How did you select the people you wanted to showcase in your particular curation? Were these people you felt were deserving of wider recognition? Were they people you felt shared a similar working aesthetic as you or came from someplace completely different?

DD: Every year we try to cast as broad a net as we can. We try to support recent arrivals to the scene. We try to celebrate creative pioneers who have pointed the way. And yet, no matter how broad the net, we are always discovering new players and new sounds. We always leave people out, unintentionally! This is one of the richest periods ever as far as new music goes.

Q: Who is your favorite trumpeter today (as in today, the day you are writing this email) and what recorded song available to the public best exemplifies why this trumpeter is so badass?

DD: I practiced a lot today, so if you ask me who is my favorite trumpeter today I am going to say that I am my favorite trumpeter today. How about that? We are all out here practicing to make music and life better. And we all doing it together one note at a time. I love so many players these days and the Festival of New Trumpet Music is a way of celebrating that.

Q: Talk a bit about the venue you chose to curate in? Why is it special to you? Why do you want people to experience that particular venue? Or was it the most hospitable venue available for what you wanted to do?

DD: For the past few years I have been involved in music and spirituality, through recording hymns and spirituals, and through exploring the essence of making music in the moment. Hugh Ragin is a trumpeter who shares that pursuit. When the concert hall at St. Peter’s Church became available for this festival I knew right away that I wanted to present my suite Pathways there. And I knew I would try to get Hugh Ragin to do something. He surpassed my wildest imagination by creating music for the vespers service itself! I cannot wait to hear it.

Q: Can you all share an anecdote about this year’s honoree Marcus Belgrave and what bearing, if any, he has had on your life as a listener, trumpet player, student, or appreciator of creative music?

DD: As I listen to this year’s honoree Marcus Belgrave what amazes me most is how he pulls notes out from all around the horn, the embouchure, and the room. Watching him play is like watching popcorn pop — you never know where the next movement is going to come from. He has one of the most amazing techniques I have ever seen. We are proud to bring him to New York with his own group to honor him with our Award of Recognition.

Q: What event besides the events you curated are you most looking forward to checking out live?

DD: The Henry Brant Flight Over A Global Map for 52 trumpets!!! and percussion is our pièce de resistance this season. I’ve never been involved in anything like this. So many great trumpeters are coming forward to play. It has been a supreme piece of work to organize and I know it is going to be an amazing thrill that will not be repeated any time soon.

Q: Any other thoughts about this year’s festival?

DD: Festival of New Trumpet Music enters its 11th season stronger than ever. New board members, new players, new venues. As a 501(c)3 public nonprofit we appreciate all the support we have had and encourage interested parties to visit our site and consider donating. Thank you.

 

Cuban Pianist/Composer Fabian Almazan Combines His Heritage With Classical And Electronic Music On His Debut Album, Personalities

Sunday, September 25th, 2011

Featuring Bassist Linda Oh and Drummer Henry Cole

Out October 4, 2011

Fabian Almazan’s debut, Personalities (Biophilia), reveals his penchant for musical storytelling with well-crafted originals and well-chosen covers. Born in Cuba, raised in Miami and based in New York City, the 27-year-old pianist and composer has apprenticed with Terence Blanchard and is a recent fellow of the Sundance Film Composer’s Lab.

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Pianist/Composer Fabian Almazan Combines His Cuban Musical Heritage with Classical and Electronic Music On His Debut, ‘Personalities’

Saturday, September 24th, 2011
Out October 4, 2011Featuring Bassist Linda Oh and Drummer Henry Cole

Fabian Almazan‘s debut, Personalities (Biophilia), reveals his penchant for musical storytelling with well-crafted originals and well-chosen covers. Born in Cuba, raised in Miami and based in New York City, the 27-year-old pianist and composer has apprenticed with Terence Blanchard and is a recent fellow of the Sundance Film Composer’s Lab.

Trumpeter, Composer, And Filmmaker VOLKER GOETZE Documents Sonic Snapshots Of Places And Cultures, From Africa To New York, On His New Recording For Jazz Orchestra, ‘NY10027’

Friday, June 24th, 2011

“What a great CD! Powerful writing by Volker, combining jazz, classical and African elements. And if you think you know Lenny Picket from Tower of Power and Saturday Night Live, check him out on ‘Solace’.” – Jim McNeely

History can be perplexing for modern bandleaders. Breaking new ground while retaining traditional beauty isn’t exactly easy. But on NY 10027 Volker Goetze has come up with a win-win approach that does exactly that. The trumpeter-composer has lots of skills when it comes to balancing craft and experimentation, and they give his orchestra debut a sturdy feel that boasts plenty of personal perspective.

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Guitarist Gilad Hekselman Pens Ten Tuneful Originals On 3rd Album, ‘Hearts Wide Open’

Thursday, June 23rd, 2011

Out Sept 13 on Le Chant Du Monde

Featuring Saxophonist Mark Turner, Bassist Joe Martin, and Drummer Marcus Gilmore

Guitarist Gilad Hekselman‘s third album, Hearts Wide Open, finds him in the company of his working trio with bassist Joe Martin and drummer Marcus Gilmore. They are joined by saxophonist Mark Turner in a set comprised entirely of Hekselman’s original material. The title refers to Hekselman’s perspective on the practice of music-making. “As musicians, we get to travel and play for different audiences, moving people and creating something positive in the world,” he says. “It’s about opening our hearts as musicians as well as opening the hearts of listeners.”

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First-Call NYC Multireedist Ben Kono Releases His Nineteen-Eight Debut, ‘Crossing’

Monday, May 30th, 2011

Featuring Pianist Henry Hey, guitarist Pete McCann, bassist John Hébert, drummer John Hollenbeck and singer/french hornist Heather Laws

The broader a bandleader’s tonal palette, the richer the music becomes. Ben Kono proves this numerous times on the colorful Crossing, a sublime ensemble disc that finds lots of unique territory being investigated. The respected New York saxophonist is expert in an array of instruments that stretches from oboe to shakuhachi, and he’s put some deep composing and arranging skills into play on his debut. As Crossing’s varied interests present themselves, its sextet music speaks to both the power of scope and the art of integration.

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Bassist Kermit Driscoll Releases His Long Anticipated Debut Album on Nineteen-Eight Records, ‘Reveille’, April 5, 2011

Monday, May 30th, 2011

Featuring guitarist Bill Frisell, drummer Vinnie Colaiuta and pianist Kris Davis

One thing’s certain: it was definitely worth the wait. Kermit Driscoll has been a remarkable bassist and inspired sideman for the last 30 years, but he’s never released an album of his own. Reveille, a program of kaleidoscopic funk, experimental abstractions, and fetching intricacies, rectifies that. It is an achievement that lets the world know Driscoll now wears another hat as well: that of a cagey bandleader.

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Joe Fiedler Trio’s Sacred Chrome Orb Out Now; NYC & East Coast Tour Dates

Friday, April 8th, 2011

Versatile Trombonist JOE FIEDLER Releases SACRED CHROME ORB, March 29 on Yellow Sound Records


Tour Dates Around NYC & East Coast Following CD Release

Anyone who’s ever puzzled over the oddly altar-like mirrored globes that serve as the centerpiece of many a suburban garden will instantly be in on the joke that provided the title for trombonist Joe Fiedler’s Sacred Chrome Orb (Yellow Sound Records, release date March 29). While Fiedler attaches no particular significance to the name, it does represent a delight in the incongruous, a refreshingly skewed perspective, and an off-kilter sense of humor, all qualities that pervade the music of his unique, intensely expressive trio.

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