Posts Tagged ‘Pi Recordings’

Fully Altered Media Client Release Schedule **Fall 2010**

Wednesday, July 28th, 2010

August


Vijay Iyer – Solo (ACT Music) – August 31
Iyer’s 1st solo piano recording

September

Blue Cranes - Observatories (self-released) – Sept. 14
Portland, OR chamber jazz group w/ Reed Wallsmith (saxes), Sly Pig (saxes), Rebecca Sanborn (keyboards), Keith Brush (bass), Ji Tanzer (drums)

Eddie Gomez & Cesarius Alvim – Forever (Plus Loin Music) – Sept. 14
Bass/Piano Duo w/ Eddie Gomez (bass), Cesarius Alvim (piano)

Rudresh Mahanthappa & Bunky Green – Apex (Pi Recordings) – Sept. 28
w/ Mahanthappa (alto sax), Bunky Green (alto sax), Jack DeJohnette (drums on half), Jason Moran (piano), Francois Moutin (bass), Damion Reid (drums on half)

October

Kellylee Evans – Nina (Plus Loin Music) – October 12
w/ Evans (vocals( Francois Moutin (bass), Andre Ceccarelli (drums)

Ed Ruscha / Nels Cline / David Breskin – DIRTY BABY CD Box Set (Cryptogramophone Records) – October 12
an interdisciplinary art-music-poetry collaboration between visual artist Ed Ruscha, guitarist/composer Nels Cline + 16 musicians & poet/producer David Breskin

Scott Amendola Trio – Lift (Sazi Music) – Oct. 19
w/ Amendola (drums, electronics), Jeff Parker (guitar), John Shifflett (bass)

Dan Tepfer – Five Pedals Deep (Sunnyside Records) – October 26
Trio w/ Tepfer (piano), Thomas Morgan (bass), Ted Poor (drums)

November


The Dymaxion Quartet – Sympathetic Vibrations (self-released) – DIGITAL ONLY- October 9

w/ Gabriel Gloege (drums, leader), Mike Shobe (trumpet), Mark Small (tenor sax), Dan Fabricatore (bass)
Jason Stein’s Locksmith Isidore – Three Kinds of Happiness (Not Two Records) – NEW RELEASE DATE: November 30
Trio w/ Jason Stein (bass clarinet), Jason Roebke (bass), Mike Pride (drums)

December
Jerome Sabbagh – I Will Follow You (Bee Jazz) – December 7
w/ Jerome Sabbagh – tenor & soprano saxophones, Ben Monder – guitar, Daniel Humair – drums

Recent Fully Altered Placements: Herrera, Lehman, Rudder, Potter

Sunday, June 7th, 2009

With Facebook and Twitter going strong these days, it’s often easy to forget to update my website from time to time with client news and such.

Magos Herreras Distancia

Magos Herrera's "Distancia"

This past Wednesday morning, I got word from my main man Patrick Jarenwattananon at NPR Music that the anticipated review of Magos Herrera’s new disc Distancia was going to air on NPR’s All Things Considered that day, I was pretty stoked (to use the parlance of our times).  While performing that day’s other tasks (organizing a mailing with Stephen, preparing press releases and advance lists), I missed the story airing live on the radio but caught it online about an hour after it aired.  Reviewer Tom Moon’s enthusiastic review of the disc catapulted the CD straight to the Top 50 in Music on Amazon.com.  And as of tonight, almost 4 days later, Distancia still sits at #85 in the overall music rankings on Amazon and after a day-long reign on Thursday at #1 on the iTunes Jazz album chart (followed by most of Friday at #2), Magos is now at #6 on that chart.  Not too shabby.  Look out for Magos performing live at the Philadelphia Museum of Art on July 3rd and at the Montreal International Jazz Festival on July 12.

Steve Lehman at Columbia University

Steve Lehman at Columbia University

That NPR hit alone would have made for a great week for Fully Altered, but we also had some excellent press run in advance of saxophonist Steve Lehman’s forthcoming album Travail, Transformation and Flow (Pi Recordings), which is due out this Tuesday, June 9th.  There is also a show this Monday June 8th at (Le) Poisson Rouge in New York City, currently the only planned show with the full octet from the recording.  This challenging new album is the first jazz album to explore spectral harmony, a sound analysis process that is used to inform compositional and improvisational decisions.  Steve’s Monday show was given a Top Live Music preview in Time Out New York by David Adler and a starred listing in Friday’s New York Times by critic Nate Chinen.  In addition, Chinen put a laudatory blurb on the new album in his Playlist which ran in this weekend’s New York Times Sunday Arts & Leisure section (Page AR21).  That’s a pretty good week for Lehman and Travail, which two weeks ago was reviewed by New York Times music critic Ben Ratliff on the May 26th edition of WBGO’s The Checkout and interviewed by show creator and host, Joshua Jackson on the show’s June 2nd episode (both made an appearance on NPR Music’s brand spankin’ new jazz blog, A Blog Supreme). Rumor has it that the show will also be reviewed by a New York Times critic (fingers crossed).

"Matorning" Album Cover

Rudder's "Matorning"

And if that weren’t enough, we happen to know that Fully Altered client Rudder are also expecting a CD review to run on All Things Considered sometime this week or next from music contributor David Was.  And look for upcoming press breaks on Ultrahang, the newest album by Fully Altered client Chris Potter Underground, released via ArtistShare, including a 4 STAR review in today’s Detroit Free Press by Free Press jazz critic Mark Stryker.

Chris Potter's New Album, "Ultrahang"

Chris Potter's New Album, "Ultrahang"

Trumpeter Corey Wilkes Receives AMG Album Pick!

Friday, May 29th, 2009

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Reviewer Michael G. Nastos has bestowed the coveted All Music Guide Album Pick (note the illustrated check mark) on Wilkes’ recent Pi Recordings debut (his 2nd album as a leader), Cries from tha Ghetto with a 4 star rating.

Nastos writes “Staying true to his reputation as a post-Lester Bowie-type jazz trumpeter, Corey Wilkes and his band Abstrakt Pulse take cues from hard and post-bop, creative improvised music, and populist latter-period Art Ensemble of Chicago sounds. Alternating between tuneful free music and spontaneously composed snippets, the formidable Wilkes and his quintet keep the music moving forward with vitality and a keen sense of drama…Wilkes seems like a chameleon, not bound to a single style, and is comfortable in either this context or with a more commercial approach. He’s no doubt a brilliant player, young yet wise beyond his years, and while scratching the surface, displays plenty of grit, street smarts, and a serious fun attitude, marking him as one of the most promising trumpet players in the 2000s.”

Read the rest of the review here.

In other Wilkes news, the Pittsburgh Post Gazette’s Manny Theiner wrote of Wilkes, “If there’s hope for the future of jazz as a continuously evolving art form, it lies in the spirit of young players like Chicago’s workhorse trumpeter Corey Wilkes.”

For the full Post-Gazette review, go here. And while we’re at it, we might as well let you know that AllAboutJazz.com’s Troy Collins, The Chicago Tribune’s Howard Reich, Jazz.com’s Victor Aaron, The Washington City Paper’s Mike West and mp3 blog undomondo all agree – Cries from tha Ghetto is a great album.
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