Acclaimed tenor saxophonist Melissa Aldana follows up her 2014 Concord release Melissa Aldana & Crash Trio with the explorative and deeply swinging Back Home, this time released on the Wommusic label. Pablo Menares, Aldana’s fellow native of Santiago, Chile, is again on bass. On drums is the in-demand Jochen Rueckert, bringing a supple and unpredictable rhythmic élan to the session. These three musicians turn on a dime and project an uncommonly full orchestral sound, rich in spiritual intensity, all in the absence of a harmony instrument.
The title Back Home might seem to evoke Chile, where Aldana left in 2007 to pursue jazz at ever higher levels in the U.S. In fact, Aldana reveals, Back Home “is not really related to Chile itself. It’s related to the first time I picked up the tenor and I heard Sonny Rollins.” The closing title track carries strong echoes of Rollins’ playful spirit, and reveals much about Aldana’s evolution from a 6-year-old alto player to “a bold new talent” (NPR), one of the most compelling and prodigious tenor saxophonists of her time. In fact she wrote “Back Home” specifically for Rollins, she recalls: “He was one of the first reasons I started playing trio, because the freedom that you have within the music, the interaction, the opportunity you have to express yourself and communicate with the other musicians.”
As a child Aldana studied with her renowned saxophonist father Marcos Aldana (son of saxophonist Enrique Aldana, whose Selmer Mark VI tenor Melissa performs with to this day). She began on alto but after hearing the landmark Sonny Rollins + 4 she switched to tenor and never looked back. Other important influences she cites range from Don Byas, Gene Ammons and Lucky Thompson to Chris Potter and Mark Turner.
In 2007 Aldana moved to Boston to enroll at Berklee, coming under the mentorship of tenor great George Garzone. Pianist Danilo Pérez and saxophonist Patricia Zarate provided Aldana with crucial support and guidance as well. In 2009 she took the plunge to New York and began apprenticing with greats such as Greg Osby and George Coleman, among others. In 2013 she became the first female instrumentalist and the first South American ever to win the Thelonious Monk Competition. She is also a recipient of the Martin E. Segal Award from Lincoln Center and a double recipient of the Altazor Award, Chile’s highly prestigious national arts prize. In 2014 after two quartet releases for Osby’s Inner Circle label (Free Fall and Second Cycle), she turned her attention to the chordless trio, a jazz aesthetic Sonny Rollins did so much to pioneer. With Back Home she deepens her trio investigations while looking back on her roots, drawing as well from the original compositions of Menares and Rueckert. (more…)