Posts Tagged ‘Sunnyside’

Fully Altered Media Client Release Schedule **Fall 2010**

Wednesday, July 28th, 2010

August


Vijay Iyer – Solo (ACT Music) – August 31
Iyer’s 1st solo piano recording

September

Blue Cranes - Observatories (self-released) – Sept. 14
Portland, OR chamber jazz group w/ Reed Wallsmith (saxes), Sly Pig (saxes), Rebecca Sanborn (keyboards), Keith Brush (bass), Ji Tanzer (drums)

Eddie Gomez & Cesarius Alvim – Forever (Plus Loin Music) – Sept. 14
Bass/Piano Duo w/ Eddie Gomez (bass), Cesarius Alvim (piano)

Rudresh Mahanthappa & Bunky Green – Apex (Pi Recordings) – Sept. 28
w/ Mahanthappa (alto sax), Bunky Green (alto sax), Jack DeJohnette (drums on half), Jason Moran (piano), Francois Moutin (bass), Damion Reid (drums on half)

October

Kellylee Evans – Nina (Plus Loin Music) – October 12
w/ Evans (vocals( Francois Moutin (bass), Andre Ceccarelli (drums)

Ed Ruscha / Nels Cline / David Breskin – DIRTY BABY CD Box Set (Cryptogramophone Records) – October 12
an interdisciplinary art-music-poetry collaboration between visual artist Ed Ruscha, guitarist/composer Nels Cline + 16 musicians & poet/producer David Breskin

Scott Amendola Trio – Lift (Sazi Music) – Oct. 19
w/ Amendola (drums, electronics), Jeff Parker (guitar), John Shifflett (bass)

Dan Tepfer – Five Pedals Deep (Sunnyside Records) – October 26
Trio w/ Tepfer (piano), Thomas Morgan (bass), Ted Poor (drums)

November


The Dymaxion Quartet – Sympathetic Vibrations (self-released) – DIGITAL ONLY- October 9

w/ Gabriel Gloege (drums, leader), Mike Shobe (trumpet), Mark Small (tenor sax), Dan Fabricatore (bass)
Jason Stein’s Locksmith Isidore – Three Kinds of Happiness (Not Two Records) – NEW RELEASE DATE: November 30
Trio w/ Jason Stein (bass clarinet), Jason Roebke (bass), Mike Pride (drums)

December
Jerome Sabbagh – I Will Follow You (Bee Jazz) – December 7
w/ Jerome Sabbagh – tenor & soprano saxophones, Ben Monder – guitar, Daniel Humair – drums

Drummer, Tabla Player & Composer Dan Weiss Releases Sunnyside Debut, “Timshel” on March 16th, 2010

Thursday, February 11th, 2010

Timshel

In-Demand New York Drummer for Dave Binney, Rudresh Mahanthappa’s Indo-Pak Coalition, Vijay Iyer & Many Others

One of Five Drummers to Watch (and Hear)
According to NY Times Critic Ben Ratliff
Release Date: March 16, 2010

Album Features: Jacob Sacks & Thomas Morgan (+ Jack Lemmon cameo)

Timshel’, meaning ‘Thou Mayest,’ is a Hebrew word which challenges the traditional biblical phrase, ‘Thou Shalt.’ I came across this word as I read John Steinbeck’s East of Eden, and the idea behind the word was very inspiring to me. ‘Thou Mayest’ characterizes man as the maker of his own fate. We are all free to choose our own destiny. This gives us the innate power to create and to be creative.” – Dan Weiss, from the liner notes

The best drummers, like Art Blakey, Max Roach and Billy Higgins, don’t lead by propulsive pyrotechnics; rather, they lead by inspiring their fellow musicians to the heights of their musical plateaus. The endlessly inventive New York-born drummer, tabla player, and composer Dan Weiss, a seasoned veteran of the Manhattan jazz scene, as evidenced by his sterling sideman work with everybody from Lee Konitz, David Binney and Vijay Iyer, to Miguel Zenon, Uri Caine and Ben Monder, is such a drummer. Weiss, with the release of his Sunnyside debut, Timshel, signals the end of his anonymity.

Backed by his long-time trio mates, pianist Jacob Sacks and drummer Thomas Morgan, Weiss weaves elements of different compositional styles and knowledge of Indian rhythms into the language of jazz on his twelve-track CD, to create something new and eternal, foreign and familiar. “Each piece in this record draws upon a specific inspiration which has captured my curiosity and imagination the last couple of years,” Weiss writes in the liner notes. “The intention behind this record was to take the essence of each of these inspirations and to create a musical narrative. It is intended to be listened to as one piece, uninterrupted. While each piece is its own song, they each serve a larger purpose which is the suite.”

Weiss and his terrific triad offer a sensitive and sophisticated take on how a twenty-first century trio should sound. Weiss’ expert drumming soothes, swings, and flies, with Sacks’ elegiac pianism and Morgan’s steady and supportive bass lines. “Stephanie” dances with a Latin tinge, contrasted by the dark and lovely lullaby excursions of “Dream,” the title track “Timshel,” the Chopinesque “Frederic,” and the tabla-tantric “Teental Song.” “Florentino and Fermina,” two characters from Gabriel Garcia Marquez’s immortal novel, Love in the Time of Cholera, evolves from a sensuous tone poem to an urgent, 4/4 cadence. Weiss pays tribute to another extra-musical medium: film, with his ingenious “Always Be Closing,” which comes from a line from the film Glenngarry Glen Ross, starring Jack Lemmon, where Weiss’s devilish drum work mimics Lemmon’s dialog. “Dream” is a work that melds all of the CD’s myriad moods and grooves, while “Chakradar #4” and “Interlude” highlight Weiss’s expert adaptations of sub-continental Indian scales and tabla rhythms to jazz.

If it takes a village to raise a child, then it took a world city like New York to create a global musician like Dan Weiss. Born in New Jersey, Weiss started playing the drums at the age of six. Weiss attended Manhattan School of Music and studied drumset with John Riley, composition with David Noon and frame drums with Jamey Haddad. Weiss has studied the tabla for twelve years under the guidance of his guru, Pandit Samir Chatterjee, and has performed classical Indian music with Ramesh Mishra, Mandira Lahiri, Subra Guha, Anoushka Shankar, Anirban Dasgupta, Joyas Biswas, and Steve Gorn. He has also performed in recitals with his teacher in Kolkata, India. His two previous recordings as a leader: Tintal Drumset Solo (Chhandayan, 2005) and Now Yes When (Toap, 2006).

So, from drumkits to tablas, as Timshel aurally illustrates in all of it’s syncopated splendor, that Dan Weiss has got the rhythms covered. “I feel grateful to have been exposed to such beautiful things, and I feel even more grateful for the opportunity to now share these things with you.”

Dan Weiss’ Official Website

Dan Weiss Trio on MySpace

For more information, please contact
Matt Merewitz at Fully Altered Media
matt@fullyaltered.com
347-527-2527 (office)

New Rez Abbasi Disc, “Things to Come” out August 25 on Sunnyside

Sunday, July 26th, 2009

"Things to Come" cover

"Things to Come" cover

Pakistani-American Guitarist Rez Abbasi
Releases Things to Come,
August 25th on Sunnyside Records

Album Features Stunning Composition and Improvisation
From Culturally Diverse Top New York Musicians
(Rudresh Mahanthappa, Vijay Iyer, Johannes Weidenmueller, Dan Weiss
+ Special Guests Kiran Ahluwalia and Mike Block)

Sunnyside Records is pleased to present Things to Come, guitarist and composer Rez Abbasi’s latest solo project and first for the prominent jazz label.

Imagine if you will, a four year old boy arriving in Los Angeles, CA after spending his initial years in Karachi, Pakistan; growing up in Southern California in the 70’s, surfing, riding motocross, chomping fast food and listening to rock ‘n roll; introduced to an instrument called the guitar and subsequently forming a garage band; hearing jazz at 16 and deciding to pursue a college degree in America’s homegrown music; ending up in New York as one of today’s foremost modern jazz guitarists.

That’s the rough guide to Rez Abbasi and never has there been a more poignant time to tell it.  “Prior to my generation, there wasn’t much precedent for a South Asian jazz musician”, says Abbasi. “When I was growing up I couldn’t imagine having a group that was comprised mostly of formidable jazz musicians of South Asian decent.”   Abbasi has assembled a quintet of the finest musicians in  contemporary jazz, including saxophonist Rudresh Mahanthappa, pianist Vijay Iyer, bassist Johannes Weidenmueller and drummer Dan Weiss. Along with Indian vocalist Kiran Ahluwalia and cellist Mike Block, they craft a disc on which improvisation and composition are at once sharply delineated and organically related.

While each tune offers myriad formal and structural surprises, the eight compositions on this exciting album should come as no surprise from a musician whose background is as inclusive as that of Abbasi.  Having played with jazz greats Marvin “Smitty” Smith, Dave Douglas and Dave Liebman, Abbasi has also studied with Indian musicians such as the great percussionist Ustad Allah Rakha.

Born in Pakistan and raised in Los Angeles, his early interest in rock music was augmented when he saw Ella Fitzgerald and Joe Pass in one of their legendary duo performances. “Here was a man whose ability to get around the guitar was greater than anybody I’d heard at that time, including Eddie Van Halen. At sixteen, that concert was a real eye-opener for me.”

(more…)

Recent Fully Altered Placements: Herrera, Lehman, Rudder, Potter

Sunday, June 7th, 2009

With Facebook and Twitter going strong these days, it’s often easy to forget to update my website from time to time with client news and such.

Magos Herreras Distancia

Magos Herrera's "Distancia"

This past Wednesday morning, I got word from my main man Patrick Jarenwattananon at NPR Music that the anticipated review of Magos Herrera’s new disc Distancia was going to air on NPR’s All Things Considered that day, I was pretty stoked (to use the parlance of our times).  While performing that day’s other tasks (organizing a mailing with Stephen, preparing press releases and advance lists), I missed the story airing live on the radio but caught it online about an hour after it aired.  Reviewer Tom Moon’s enthusiastic review of the disc catapulted the CD straight to the Top 50 in Music on Amazon.com.  And as of tonight, almost 4 days later, Distancia still sits at #85 in the overall music rankings on Amazon and after a day-long reign on Thursday at #1 on the iTunes Jazz album chart (followed by most of Friday at #2), Magos is now at #6 on that chart.  Not too shabby.  Look out for Magos performing live at the Philadelphia Museum of Art on July 3rd and at the Montreal International Jazz Festival on July 12.

Steve Lehman at Columbia University

Steve Lehman at Columbia University

That NPR hit alone would have made for a great week for Fully Altered, but we also had some excellent press run in advance of saxophonist Steve Lehman’s forthcoming album Travail, Transformation and Flow (Pi Recordings), which is due out this Tuesday, June 9th.  There is also a show this Monday June 8th at (Le) Poisson Rouge in New York City, currently the only planned show with the full octet from the recording.  This challenging new album is the first jazz album to explore spectral harmony, a sound analysis process that is used to inform compositional and improvisational decisions.  Steve’s Monday show was given a Top Live Music preview in Time Out New York by David Adler and a starred listing in Friday’s New York Times by critic Nate Chinen.  In addition, Chinen put a laudatory blurb on the new album in his Playlist which ran in this weekend’s New York Times Sunday Arts & Leisure section (Page AR21).  That’s a pretty good week for Lehman and Travail, which two weeks ago was reviewed by New York Times music critic Ben Ratliff on the May 26th edition of WBGO’s The Checkout and interviewed by show creator and host, Joshua Jackson on the show’s June 2nd episode (both made an appearance on NPR Music’s brand spankin’ new jazz blog, A Blog Supreme). Rumor has it that the show will also be reviewed by a New York Times critic (fingers crossed).

"Matorning" Album Cover

Rudder's "Matorning"

And if that weren’t enough, we happen to know that Fully Altered client Rudder are also expecting a CD review to run on All Things Considered sometime this week or next from music contributor David Was.  And look for upcoming press breaks on Ultrahang, the newest album by Fully Altered client Chris Potter Underground, released via ArtistShare, including a 4 STAR review in today’s Detroit Free Press by Free Press jazz critic Mark Stryker.

Chris Potter's New Album, "Ultrahang"

Chris Potter's New Album, "Ultrahang"

New Client: Vocalist Magos Herrera

Saturday, April 11th, 2009

41cvkh3qzbl_sl500_aa240_Fully Altered Media is very pleased to announce that we will be working a May 5th release by a stunning newcomer to the New York scene: the Mexican jazz vocalist and composer Magos Herrera.

Magos Herrera – Distancia (Sunnyside Records)
Release Date: May 05, 2009

If you listen to “Salt of the Earth,” the sensational track from saxophonist Tim Ries’ recent Sunnyside release, Stones World, you’ll hear a sensuous and thrilling contralto voice that swings and sighs, like no other. That voice belongs to the brilliant and beautiful, Mexican-born, New York-based singer, Magos Herrera. Like Luciana Souza and Claudia Acuna, she is a world-class jazz vocalist in the literal sense of the word: She’s fluent in English, Spanish, and Portuguese, and is likewise proficient in deciphering and delivering the syncopated science of jazz, and Afro-Hispanic musical genres. Her gifts are on full display on her Sunnyside debut, Distancia, supported by an exceptional rhythm section featuring guitarist Lionel Loueke, pianist Aaron Goldberg, bassist Ricky Rodriguez, drummer Alex Kautz, with background vocalists Ingrid and Jennifer Beaujean. Buoyed by that stellar lineup, Herrera delivers a delicious, dancing and diverse ten-track potpourri of original songs, and standards by Antonio Carlos Jobim, Milton Nascimento, and Cesar Portillo de la Luz.

Magos’ love and thanks come through loud and clear on this disc – co-produced by Tim Ries. Her self-penned songs “Reencuentro” “Tu Ojos,” “Staying Closer,” “Alegria,” “ New Song”are pulsed by scintillating vocal percussion, interlocking, Pan-Afro/American rhythmic structures, tinges of Joni Mitchell-style rock timbres, and flamenco-flavored handclaps. Magos reinterprets the works of master composers with equal verve. She updates Caesar Portillo De la Luz’s famous bolero “Tu, Mi Delirio,” with a kind of “quiet storm” vibe. Nascimento’s “Vera Cruz” is resurrected with a deep groove, which morphs into a spirited Tower of Babel-style vocal beat box. And Jobim’s “Retrato em Blanco E Preto,” “Inutil Paisaje,” and “Dindi” are rendered in impassioned ballad, bossa nova-scat, and John Coltrane-ish settings.

If, as the saying goes,  “it takes a village to raise a child,” then it takes an musician open to all of the world’s musical hues and grooves to produce an artist like Magos Herrera. Born in Mexico City, Herrera graduated from the Musicians Institute of Technology, and studied at Mannes College of Music, the New England Conservatory, and privately with opera teacher Konstantin Jadan. She moved back to Mexico City in 1998, where she released her first CD, Cajuina (Independent, 1998), followed by Whispering Orchids (Opcion Sonica, 2000), Mexican Divas II/III (Opcion Sonica, 2001-2002), Pais Maravilla (JM Distributors, 2003), Magos Herrera Compilacion (Mecca Records, 2004), Todo Puede Inspirar (EMI Music, 2005), and Soliluna (JM Distribuidores, 2006). She has toured Latin America, India, Japan and the United States . Over the past 4 years, through her pro-active love for music, she produced and hosted two television programs on public television that promoted music for Mexico’s channel 22, bringing on featured guests such as Ute Lemper, Jerry Gonzalez, Diego el Cigala, and many others.

Magos Herrera has evolved into a global-centric musician, capable of expressing herself in a multiplicity of languages, and vocal settings; from straight-ahead, ballads, scats, and the various dimensions and invention of Afro-Latin music. As Distancia, proves, no style of music is distant from her.

May 20, 2009
Jazz Standard – CD Release Concert
116 E 27th St, New York, NY 10016, US
(212) 576-2232 or http://www.jazzstandard.net/
2 sets: 7:30 & 9:30.
Cover: $20.
Lineup: Magos Herrera – vocals; Aaron Goldberg – piano; Ricky Rodriguez – bass; Alex Kautz – drums; Ingrid Beaujean – vocals; Jenny Beaujean – vocals

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